French Montana and A$AP Rocky keep the party going in the video for their collaboration “Said N Done.”
We find the Coke Boy and A$AP Mob MC living next door to one another taking full advantage of their bachelor pads with simultaneous bashes full gorgeous women.
Directed by Eif Rivera, the video playful captures the duo rocking silk shirts and having fun as they smoke, jump on beds, and enjoy all the female attention. They eventually switch rooms for a glimpse of how the other is living. A$AP Ferg also makes a quick cameo.
“Said N Done” dropped back in August and was originally a single off Montana’s now scraped MC4.
Watch Montana and Rocky enjoy being bachelors above.
Jidenna follows up the release of his debut album The Chief with a video for his latest single”Bambi.”
The “Classic Man” singer continues to portray his story “of manhood” picking up where “A Little Bit More” left off. Delivering another cinematic style clip, this time he recounts the experience of losing the love of his life .
Dressed to the nines of course, Jidenna is overwhelmed by the loss of his girl. Upon finding himself on the other end of a flask he suddenly takes off.
As he’s running through the streets of Lincoln Heights in L.A., he stops to reflect on happier times before continuing his marathon run.
Where could he possibly be headed? We soon learn his final destination when he arrives at a church where his ex, played by Megalyn Echikunwoke (CSI: Miami); is exiting with her new groom, played by Jay Ellis (Insecure).
“No one can take you from me,” he sings before he drunkenly attacks them causing a scene. The Wondaland Records crooner makes one more fool hearted attempt as he chases the car down the street before realizing it’s too late.
Alessia Cara reflects on growing up in the brand new visual for her single “Seventeen.”
Off her album Know-It-All the song delves into the idea that as children we have this deep longing to be older and we don’t really take the time to appreciate the journey of growing up.
The video opens with a young Cara riding the bus with her father. Eventually she becomes a spunky teenager riding the bus solo and with friends, a young adult, a new mom, the mother of a teenager, and finally her kid becomes an adult too; bringing the whole thing full circle.
Throughout the progression of the video Cara continues to age and eventually understands all that comes with getting older.
“I was too young to understand what it means,”
she sings.
“I couldn’t wait ’till I could be seventeen / I thought she lied when she said take my time to breathe / Now I wish I could freeze the time at seventeen.”
Watch Alessia literally show her growth in “Seventeen” below.
Fresh off releasing his debut FREE 6LACK, 6LACK — pronounced black — delivers the visual for “Ex-Calling.”
The Atlanta rhymer/singer takes viewers to the strip club in a grainy black-and-white clip as he attempts to get his mind off a past relationship gone awry.
Still dealing with the feelings from the break-up, perfectly conveyed by the dark and moody aesthetic of the video combined with his somber tone; we see 6LACK make it rain as women gyrate up and down the pole.
“Ex Calling” appeared on 6LACK’s debut which dropped last month and is a remix to Future’s “Perkys Calling” off Purple Reign. Watch it below.
JoJo and Remy Ma link up to set the record straight and let all the frauds know being “FAB” isn’t a compliment.
The black-and-white visual takes us around New York City, and features JoJo sporting a camouflage top while venting about frenemies,
“Where were you when I needed you? Fake ass bitches / When they smile in your face but behind you, it ain’t well wishes / When they eatin’ all the food off your plate and they don’t do dishes / When they words and they actions blur and they don’t know different / No time for these fake-ass bitches.”
We soon find Remy putting “both middle fingers all the way up” while sitting atop an old whip. She shares the Mad Love. songstress sentiments on back stabbing phonies finding their way into your circle.
“You not my BFF/ You not my bestie / You a fake ass bitch just like the rest / See, I was all the way down, you was all the way gone / Now you tryna come back cause I’m all the way on.”
“FAB” is the “Leave (Get Out)” singer’s first collaboration with Terror Squad’s First Lady. JoJo also recently wrapped up a performance for “Disney’s Magical Holiday Celebration” where she delivered a powerful rendition of “Have Yourself A Merry Little Christmas”
The 25-year-old singer will be kicking off 2017 with her Mad Love. World Tour where she’ll be travelling across Europe and the U.S.
Watch JoJo and Remy sound off on fake ass bitches below and also peep if she’ll be coming to a city near you.
MAD LOVE. WORLD TOUR DATES
Jan. 15 – Dublin, IRE – Academy
Jan. 17 – London, UK – Koko
Jan. 18 – Amsterdam, NL – Paradiso
Jan. 19 – Paris, FR – La Maroquinerie
Jan. 21 – Munich, GER – Ampere
Jan. 22 – Milan, IT – Tunnel Club
Jan. 23 – Köln, GER – Clubbahnhof
Jan. 26 – Copenhagen, DEN – Vega Jr.
Jan. 28 – Birmingham, UK – Institute 2
Jan. 29 – Manchester, UK – Club Academy
Jan. 30 – Glasgow, UK – O2 ABC2
Feb. 15 – Portland, OR – Wonder Ballroom
Feb. 17 – Seattle, WA – Showbox
Feb. 19 – San Francisco, CA – The Regency Ballroom
Feb. 20 – San Luis Obispo, CA – Fremont Theatre
Feb. 21 – Los Angeles, CA – The Fonda
Feb. 23 – Santa Ana, CA – The Observatory OC
Feb. 24 – San Diego, CA – House of Blues – San Diego
Feb. 25 – Scottsdale, AZ – Livewire
Feb. 27 – Salt Lake City, UT – The Depot
March 1 – Englewood, CO – Gothic Theatre
March 3 – Lawrence, KS – Liberty Hall
March 4 – Des Moines, IA – Wooly’s
March 5 – Omaha, NE – Slowdown
March 7 – Minneapolis, MN – Fine Line Music Café
March 8 – Sioux Falls, SD – The District
March 10 – Madison, WI – Majestic Theatre
March 11 – Milwaukee, WI – The Pabst Theater
March 12 – Chicago, IL – Concord Music Hall
March 19 – New Orleans, LA – Republic NOLA
March 21 – Fort Lauderdale, FL – Culture Room
March 22 – Orlando, FL – Plaza Live
March 23 – St. Petersburg, FL – State Theater
March 25 – Charleston, SC – Music Farm
March 26 – Columbia, SC – Music Farm Columbia
March 28 – Washington, DC – 9:30 Club
March 30 – Cleveland, OH – House of Blues – Cleveland
March 31 – Columbus, OH – Newport Music Hall (Indoor)
April 1 – Louisville, KY – Headliners Music Hall
April 3 – Richmond, VA – The National
April 4 – Norfolk, VA – The Norva
April 6 – Greensboro, NC – Cone Denim Entertainment Center
April 7 – Nashville, TN – Cannery Ballroom
April 8 – Atlanta, GA – Buckhead Theater
April 10 – Houston, TX – Warehouse Live
April 11 – Dallas, TX – Trees
April 12 – Austin, TX – Mohawk
April 14 – San Antonio, TX – Paper Tiger
April 18 – Wichita, KS – The Cotillion
April 19 – Columbia, MO – The Blue Note
April 21 – Detroit, MI – Majestic Theatre
April 22 – Pittsburgh, PA – Stage AE
April 23 – Buffalo, NY – Town Ballroom
April 28 – Philadelphia, PA – The Trocadero Theatre
April 30 – Boston, MA – Royale
May 2 – New York, NY – Irving Plaza
May 3 – Huntington, NY – The Paramount
Ab-Soul and Bas use the visual for their recent collaboration “Braille” to show us something new.
Using Paris as their backdrop, the duo take us to rooftops that overlook the Eiffel Tower, La Petite Ceinture, and even underground; creating a stunning contrast between the beautiful architecture of the city and the parts most don’t dare venture.
“Braille” is expected to be on Soulo’s upcoming project, which follows 2014’s These Days…
Watch the bosses Ab-Soul and Bas in the video for “Braille” below.
D.R.A.M. readies for the release of his upcoming debut Big Baby D.R.A.M. by unleashing the visual for “Cash Machine,” his infectious new single.
The “Cash Machine” video finds the Virginia native riding around a picturesque neighborhood on a tricycle. The neighborhood is full of gorgeous woman dancing, lemonade stands, and a rocking pool party; as he makes it rain all around him.
Decked out in pink, D.R.A.M. talks about his financial come up and rising success.
“I’m in the sky like all the time and now it’s no layover / My records all across the wave and there was no payola / This money new, these hundreds blue, I’m talkin’ no Crayola.”
Big Baby D.R.A.M. drops tomorrow. In the meantime watch D.R.A.M.’s “Cash Machine” above.
The Weeknd is ready to embrace another side of himself, transforming into a “Starboy” in the ominous video for his Daft Punk-assisted lead single.
Off his upcoming album of the same name, the dark visual was directed by Grant Singer. The video opens with a masked individual killing Abel, who we see still sporting his trademark locks; only to reveal that the masked murderer is in fact the “Starboy” decked out in leather, with a fresh-cut.
The video is full of dark imagery as the “Starboy” sings about the wealth he’s acquired and the women who flock to him while running through the house smashing his platinum plaques and trophies with a red neon cross that culminates with him burning the place down.
The Canadian crooner will perform “Starboy” and debut another new song live on the season premiere of Saturday Night Live this weekend. Starboy drops Nov. 25.
Watch The Weeknd embrace his transformation in the video above.
After two months Kehlani finally unleashes the visual for her hit record “CRZY.”
An up-beat record about focusing on your grind and blocking out the haters, the songstress keeps things simple in the colorful video as she spends time with friends, and even takes a moment for some choreographed dance moves.
Directed by Benny Boom and choreographed by Antoine Troupe, “CRZY” is the lead single off Kehlani’s upcoming debut SSS.
Just last week Lady Gaga returned with “Perfect Illusion.” A bona-fide pop and in your face record about love gone wrong, Mother Monster takes us to the desert for a rager of epic proportions in the accompanying visual.
In the clip Gaga dons a pair of denim short shorts while channeling the energy of the track as she jumps around on stage and joins the crowd as they rage long into the night.
The Golden Globe-winning actress is currently gearing up for the release of her upcoming album Joanne in October which will include single “Perfect Illusion.”
Watch Lady Gaga’s video for “Perfect Illusion” below.
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