Fly News: J. Cole’s ‘4 Your Eyez Only’ Goes Platinum

J. Cole‘s latest effort 4 Your Eyez Only has gone platinum.

His fourth album to earn this status, and his second without features Cole’s dedication to creating on his own terms is paying off.

Released back in December 2016, 4 Your Eyez Only sold 492,000 units in its first week making it his largest debut yet. In January the project reached gold status.

The release was led by a 40-minute documentary, Eyez. On April 15th Cole’s HBO documentary J. Cole: 4 Your Eyez Only is set to debut.

You can catch Cole on his 4 Your Eyez Only World Tour which kicks off June 1st in Columbia, SC.




Wale Announces ‘SHINE’ Release Date and Drops “Fish n Grits” with Travi$ Scott

Wale is readying for the release of his forthcoming fifth album SHINE

Slated to drop May 5th, the project includes features with Major Lazer, Travi$ Scott, Lil Wayne, J. Balvin, Davido, Chris Brown, and more.

The DMV emcee also revealed the artwork and tracklist for the album. Since announcing the project back in 2016, Wale has embraced fatherhood and the joy it brings; a side which will more than likely be present on the project.

Wale teased the upcoming album by dropping his Travi$ Scott assisted “Fish n Grits.” Take a listen to it and check out the complete tracklist for SHINE below.

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Wale – SHINE Tracklist

  1. Thank God
  2. Running Back f. Lil Wayne
  3. Scarface Rozay Gotti
  4. My Love f. Major Lazer, WizKid & Dua Lipa
  5. Fashion Week f. G-Eazy
  6. Colombia Heights (Te Llamo) f. J Balvin
  7. CC White
  8. Mathematics
  9. Fish n Grits f. Travi$ Scott
  10. Fine Girl f. Davido & Olamide
  11. Heaven on Earth f. Chris Brown
  12. My PYT
  13. DNA
  14. Smile f. Phil Adé & Zyla Moon

Icon Talks Honors Fabolous at Historic Borough Hall

On Thursday March 9th, Brooklyn’s prestigious Borough Hall stood illuminated in a glow of purple, red, and green as various influencers and artists gathered to witness Icon Talks honor a true hip-hop legend: entertainment mogul and philanthropist John David Jackson, better known as F-A-B-O-L-O-U-S.

Taking place on the 20th Anniversary of The Notorious B.I.G.’s untimely death, a fitting tribute to a fellow Brooklyn emcee and as it was later revealed an intentional choice by Fab; the night perfectly embodied the style and essence we’ve come to expect from Jackson.

Sponsored by Porsche, the evening began with a cocktail and hors d’oeuvres reception in the historic landmarks grand rectangular rotunda beautifully anchored by marble staircases on opposite sides. Guests included Rotimi, Wale, Doug E. Fresh, Ryan Leslie, Lenny S, Tahiry Jose, DJ Vlad, DJ Clue, DJ Self, Rob Markman, Mysonne, Grady Spivey, and The Source Magazine’s Londell McMillan.

The second half of the night took place in the majestic Grand Courtroom. Leslie paid tribute to his longtime friend with a few words. Touching on Jackson’s ability to remain humble amidst all of his success and offering a brief reminder of Loso’s most recent musical hits, he went on to thank him for “allowing me to be part of the soundtrack of New York City.”

Surrounded by ornate gold and white details under a regal and magnificent white chandelier; the perfect backdrop for this intimate conversation, we get to know Jackson a man from humble beginnings and Fabolous the slick talker with a lucrative 16-year career. Led by Icon Talks co-founder John Burns, Fabolous provided a view into his life sharing the keys behind his success and philanthropic endeavours.

Born in the Bedford Stuyvesant neighborhood of Brooklyn, Fab recalled growing up in the Breevort Houses looking at his environment and deciding that he wanted more for himself. With that mindset he went on to reach incredible heights of success, which he credits to making the most of the opportunities he was given.

On the differences between John and Fabolous

Fab is an alter ego of John. It’s like when Clark Kent goes in the booth and turns into Superman. Still the same guy just one has more flash.

On how to measure success: 

Success can be measured in so many ways. You can achieve success within yourself. Success is anything you put forward to do and that you achieve. There’s different levels and different ways of achieving and acknowledging success. I was given opportunities and those opportunities are successes.

On the importance of empowering young people who might doubt their potential:

Stay determined. You may not get it the first shot. Everything is microwaved. There are those with overnight success; but for most, you will not be overnight successes. Stay determined. If it didn’t work this way let’s try another way. My plan B is another way to make my plan A work. We are going to get plan A.

On his foundation A Fabolous Way: 

A Fabolous Way was created because I wanted to help inner city kids. I was once an inner city kid looking for things to do. It’s easy to find trouble. When you give [kids] the opportunity they can do so much more and keep away from trouble. Give them opportunities outside of just sitting around doing nothing or worse. Opportunity is golden. Someone gave you an opportunity to even be in this room today. There are a lot of talented people who don’t have the opportunity to show their talent. Kids come up to me and sometimes I may listen to them spit and that may inspire them. Giving kids opportunities are priceless.

On when he recognized his potential: 

I thought I was pretty good. I can’t say I knew my full potential. When I went to meet DJ Clue I thought I was just going in to say what’s up. I wasn’t enthused but when I got there Clue says, “We gonna go on commercial break and when we get back my boy is going to rap for you”. I thought I was just going to shake his hand. Back to the idea of opportunities. I looked at it as I have to do the most with this and give it my all and whatever happens from there just leave it to God.

On what Biggie meant to him:

He’s our hero. We seen Biggie come up. It’s the story of where you see a guy come from the mud and become a star and it’s like you right there along with him. B.I.G. always represented Brooklyn and shared everything he ever achieved with Brooklyn. He was our hometown hero. Losing him so soon we didn’t see what he would have blossomed into, and that’s one of the most disappointing parts about losing him.

On what he hopes he’s best remembered for: 

I hope [I’m remembered] as somebody who made the most of an opportunity. I was a kid who was observant and looked around to see what was in the world and my world was a 4 block radius in a housing project, but I knew there was more. I said I wanted to do more than this and when opportunities came to do that I took them. One opportunity can lead to the next one.

In the spirit of the evening three Brooklyn 12th graders who were identified by their teachers and community leaders as future icons of tomorrow were awarded the Icon Scholarship.

At the end of the talk Sharon Carpenter and fellow Icon Talks founder, John Hartsfield presented Jackson with the Icon Award.

The night culminated with Brooklyn Borough President Eric Adams presenting Fabolous with the Key to Brooklyn and Proclamation for his contributions to the community.

The previous night at the Icon Talks dinner longtime friend and collaborator Swizz Beatz had this to say about the 39-year-old father,

“Congratulations to my brother Fab for being the secret weapon. I call him the secret weapon. He’s the secret weapon for fashion, the secret weapon for music, the secret weapon for creativity, he’s the secret weapon behind a lot of artists doing what they do today.”

Swizz concluded,

“We gotta get this new album out. No more mixtapes.”

Congratulations to Fabolous on receiving the Icon Award, Key to Brooklyn, and Proclamation. We salute you for your continued commitment to supporting underprivileged youth.

We’ll be on the lookout for the new album. In the meantime, take a peek at the Icon Talks Dinner held at Manhattan Motorcars.

About Icon Talks:

Icon Talks is an intimate discussion with icons from various walks of life, from music moguls to professional athletes, CEO’s, actors, and activists. The conversations will explore their path to success and provide a platform to engage, entertain and inspire.

Founded by John Burns and John Hartfield on the principle that an icon is someone who inspires not only through their innate talents, but someone who manifests their purpose and passion in how they live their life and touch the lives of others. With that mantra as our driving force, we identify and work with the icons who are not only celebrated in their own profession, but who are passionate about inspiring others through their triumph, determination, and good will.

Icon Talks directly funds and benefits nonprofit, Icon to Ican. Icon to Ican is a charitable organization offering a multitude of youth development programs for disadvantaged and/ or disabled children. Icon to Ican provides mentorship and developmental opportunities for kids from the distressed areas; offering inspiration that they CAN overcome barriers and also come become an ICON.

Music Videos

New Video: French Montana & A$AP Rocky – “Said N Done”

French Montana and A$AP Rocky keep the party going in the video for their collaboration “Said N Done.”

We find the Coke Boy and A$AP Mob MC living next door to one another taking full advantage of their bachelor pads with simultaneous bashes full gorgeous women.

Directed by Eif Rivera, the video playful captures the duo rocking silk shirts and having fun as they smoke, jump on beds, and enjoy all the female attention. They eventually switch rooms for a glimpse of how the other is living. A$AP Ferg also makes a quick cameo.


“Said N Done” dropped back in August and was originally a single off Montana’s now scraped MC4.

Watch Montana and Rocky enjoy being bachelors above.

Entertainment FLY NEWS

Fly News: Tyrese Secretly Ties the Knot On Valentine’s Day

Looks like Tyrese has finally found his “Sweet Lady.”

The actor, author, and R&B crooner revealed on Tuesday (Feb. 28) that he is now a married man.

The Fate of the Furious star released a video montage of the wedding reception to announce the news. The couple said “I Do” on Valentine’s Day and the clip was accompanied with the following caption,

“Mark 10:8 And the two will become #OneFlesh. Mr & Mrs Gibson. #MyBlackQueen#GrownManSeason.”

While the identity of his bride was unknown at the time of the announcement it didn’t remain a mystery for long.

TMZ wasted no time in procuring the 411 on Tyrese’s new Mrs. According to the celebrity news outlet her name is Samantha Lee. She’s a New Jersey native with a Master’s degree in social work from the University of Georgia and has put that degree to use fighting sex and human trafficking along with providing counseling for inmates.

A source close to the newlyweds revealed that the couple met back in 2015 through mutual friends. Tyrese confirmed via Instagram that TMZ did get their facts right, this time.


Gibson was previously married to Norma Mitchell. They split in 2009 and have a 9-year-old daughter Shayla.

Congratulations to Mr. and Mrs. Gibson!


Fly Visual: Jidenna Is Overwhelmed by Heartbreak In “Bambi”

Jidenna follows up the release of his debut album The Chief with a video for his latest single”Bambi.”

The “Classic Man” singer continues to portray his story “of manhood” picking up where “A Little Bit More” left off. Delivering another cinematic style clip, this time he recounts the experience of losing the love of his life .


Dressed to the nines of course, Jidenna is overwhelmed by the loss of his girl. Upon finding himself on the other end of a flask he suddenly takes off.

As he’s running through the streets of Lincoln Heights in L.A., he stops to reflect on happier times before continuing his marathon run.


Where could he possibly be headed? We soon learn his final destination when he arrives at a church where his ex, played by Megalyn Echikunwoke (CSI: Miami); is exiting with her new groom, played by Jay Ellis (Insecure).


“No one can take you from me,” he sings before he drunkenly attacks them causing a scene. The Wondaland Records crooner makes one more fool hearted attempt as he chases the car down the street before realizing it’s too late.

Watch the Chief make a run for it above.


Jay Z Becomes First Rapper Inducted Into Songwriters Hall of Fame

It’s been a historical day for Hov.

On Wednesday (Feb. 22), Jay Z was named as one of 2017’s Songwriters Hall of Fame inductees. This year’s honorees also include Kenneth “Babyface” Edmonds, Jimmy Jam & Terry Lewis, Robert Lamm, Max Martin, James Pankow, and Peter Cetera.

The Brooklyn rapper’s induction marks the first time a rapper has received this prestigious honor.

Entertainment FLY NEWS

Fly News: Nick Cannon & Brittany Bell Welcome Son Gordon Cannon

Nick Cannon and Brittany Bell sure have reason to celebrate.

The Wildin’ Out host and beauty queen welcomed their son Golden “Sagon” Cannon on Tuesday (Feb. 21).

Cannon celebrated the news on Instagram posting a photo of himself holding his son in his arms accompanied with the following caption,

“Weeping may endure for a night, but Joy cometh in the morning. No matter how hard the world may hit you, God always reminds us of our purpose! #TrueHappiness Welcome to Earth Son!”

Awww, we just got all the feels!

This is Cannon’s third child. He has 5-year-old twins with ex-wife Mariah Carey, Moroccan and Monroe, who are probably ecstatic to meet their little brother.

Congrats to Nick and Brittany on their bundle of joy!

FLY Interviews Music

Get Familiar with The Last Artful, Dodgr x Neill Von Tally; Portland’s Newest Rising Stars

Originally from L.A. The Last Artful, Dodgr; real name Alana Chenevert made the move to Portland back in 2013. A few years later, a chance meeting with EYRST label co-founder Neill Von Tally would be the catalyst for this unstoppable twosome.

Since that encounter, Dodgr and Tally have come together to create music quite unlike anything out there today. Unable to be pigeonholed these two unleashed their first joint effort, an EP titled Fractures back in 2015. Today, the Portland based duo release Bone Music; an 11-track project that tells the story of a blue-collar worker trying to find the balance between working and their personal relationships.

SFPL’s own Arlene Danna had the opportunity to speak with Dodgr and Tally and gain insight into the inner workings of this unique duo. We discussed the inspiration behind the project, how they met, the relevance of Bone Music given the current political climate of the country, and so much more. Delve into the world of this captivating duo below.

Bone Music drops Feb. 3. Tell us about the project. 

Dodgr: It’s the story of a blue-collar worker. It’s like a love story too.

Neill: All of those things are definitely true. The album is definitely a concept album and pretty much through the production, through our features, through what Dodgr does we’re telling the story of these different characters. Ultimately the story is that of a blue-collar worker who is struggling with their relationships and is kind of going through the traditional myriad of things we all experience relationship wise as well as going through the experience of trying to remained employed, and realizing that you have to work your whole life to get these things. So coming to the understand that nothing in life is free, nothing in life is easy and you just have to push through. So that’s the big take away of the narrative we’re telling…

Dodgr: …Without giving too much away.

So how did you guys come up with the concept?

Neill: The concept in a way sort of revealed itself to us. We were working on a lot of music together and we hadn’t necessarily planned on any one album or any one direction. A group of songs started feeling tied together and we realized there was a story we were beginning to tell. Once we got six to seven songs to that story we decided that would be what we would focus on. We essentially tried to round out the plot almost or the trajectory of the characters from the story we were telling with that story.

Bone Music itself the actual concept and where that name comes from is something that I’ve been aware of for a long time. Music was cut into x-rays during Soviet Era Russia when music was illegal. The distribution of music was illegal so a black market was created. So going back to the blue-collar worker and struggling your whole life that aesthetic is somewhat dark and somewhat cold. We realized that could easily be tied to similar things that went on during Soviet Era Russia and that there was sort of this thread going through. So Bone Music is the title and the origins historically of where that comes from are meant to portray the aesthetic we were pushing with the project.

Wow, there’s so much backstory. It’s so interesting that everything sort of ties into the story you were trying to tell. Dodgr I know you’re originally from L.A. How did you guys link up?

Dodgr: I moved to Portland in 2013 and was working at a dispensary in early 2015. Neill actually walked into the dispensary I was working at and one of my coworkers asked me to ring him up. They were like “Dodgr can you ring this guy up” and he was like “The Last Artful, Dodgr” and I was like “Yea, that’s me.” We linked that day. He told me about his studio space and we talked about hanging out and making some music. It just turned into this beautiful combination.

That’s awesome! So Neill you had heard of her?

Neill: Quite literally maybe 4 or 5 days previously was the first time I had heard of her. I was very excited to hear about her because I’m very involved in the Portland music scene and I’m always looking to know what’s going on here. Admittedly I wasn’t trying to seek her out or anything I was just happy to know that she existed and was doing her thing. But you know it’s undeniable. You read about someone and then a few days later they’re standing there in front of you. You can’t really ignore that.

Wow, talk about the universe working its magic.

Neill: Absolutely. Definitely serendipity there.

So at that point Neill were you already working with EYRST and developing that?

Neill: Yes, I co-founded EYRST with Martell. Essentially Martell was the financial backer and monetary founder behind it and then on my end I was more the vision and the goal. Why the label exists and what we’re trying to do. I had sort of picked out a few people who were going to help start EYRST and had gotten the initial funding and a studio space set-up. We had signed a few artists already. I definitely at that point wasn’t planning on signing anymore people but again Dodgr and I worked so well together there was no reason to not do this project under EYRST.

In your interview with Sway you described the project as this “dystopian industrial universe.” Do you feel that’s something that kind of ties into the current climate of the country and the things that are going on?

Dodgr: We actually just had this conversation in the studio yesterday. How Bone Music is proving itself to be a little revelatory and maybe even predicting some circumstances. I called it a post-industrial dystopian universe. You really could put Bone Music anytime in the near future, the far future, the past and it could be of relevance to what’s going on. There’s always going to be destruction. There’s always going to be turmoil within society and Bone Music is pretty much describing the inner turmoil that one faces amongst all the external is going on out in the world.

Neill: We sort of realized it’s even more relevant than we thought it would be. Which again we would never wish these circumstances to be the circumstances under which we’re releasing the project but at the same time we really hope that the project can speak to people. Maybe even more now and provide some solace or comfort in a sense. Being able to listen to the music and know that you’re not the only person that feels someway about what’s going on.

That’s something that I noticed EYRST prides itself on. This idea of creating music people can enjoy but also providing a sense of activism through that as well. 

Neill: Yes, definitely. One of the main mission statements for EYRST is to ride that fine line between activism; where reality is and the fact that we need to be responsible human beings; but also the fact that we need a chance to let go. Escapism is a necessary tool for survival and you can’t really function as a human being if you’re always trying to escape or always focused on the harshness of reality. You’re either super depressed and won’t get anything done or you’re bouncing around so much you’re not really making a difference. We all need to in some ways at least do our part.

Dodgr I saw that you had the opportunity to perform as a backup singer for Aminé on The Tonight Show starring Jimmy Fallon when he performed his hit “Caroline.” How was that experience? 

Dodgr: It was a lot of fun. I got a Facetime from Aminé like 3 days before he wanted me to fly out to New York. He told me he had this opportunity to be on Fallon and we wanted to make sure that his hometown was represented properly. So he wanted me to be one of his backup singers and help him with his hit song. Shoutout to that dude for giving me that experience. It was a lot of fun hanging out backstage and just getting to see The Tonight Show. That set is a lot smaller than one would expect. It’s super tiny but the people who work there are awesome and I can’t wait to go back on my own. Well not on my own with Neill actually but I mean not as someone’s backup singer. [Laughs]

Is there anything else you’d like to share about the project? 

Dodgr: There’s a Instagram multiverse that we want people to definitely seek out. It’s @BoneMusicMultiverse. From there we’re revealing an accompanying screenplay and a bunch of different choose your own adventure style things.

Neill: We tried to just build this sort of multimedia universe so if people want to get into what we intended for the album they can but of course we want people to bring their own interpretations and come to their own decisions on what it is. Art honestly really comes to have its meaning on an individual level. We have a screenplay and some little things that we hope people will check out. It exists now. A couple of the songs are linked and then on Friday the rest will become unlocked. You’ll be able to go to an Instagram through the multiverse that represents each individual song so there’s 12 different Instagram accounts essentially.


Bone Music is available now on iTunes. It is also available for streaming on Spotify.

Instagram + Twitter: @TheLastArtful & @NeillVonTally

About The Last Artful, Dodgr x Neill Von Tally

A buzzing duo based in Portland, OR these two are quickly making noise in the music industry. With beats and production handled by Von Tally, their music features Dodgr’s unique take on Hip-Hop and R&B. The sonics take listeners on a journey, telling stories of balancing a discordant home life and relationships with life lessons learned along the way. Dodgr’s voice is a threat in every dimension; equipped with memorable melodies, an agile flow, and puckish, often ostentatious wordplay. Previously, Dodgr and Von Tally released a debut EP Fractures in 2015, followed by the Rare Treat EP in early 2016, which was a collaboration with Myke Bogan. This spring, The Last Artful, Dodgr released her solo single “Squadron” to acclaim.  Most recently, the duo released a captivating music video for their buzzed-about song “Jelly Hunt.”  Dodgr’s music has received praise from the likes of Pigeons and Planes, Earmilk, Milk, 2dopeboyz, Uproxx, Beats 1 and more.



FLY Interviews

Fly Interview: Kari Faux Is That Beam of Sound That We’ve Been Looking For…

Rapper/Singer repping Little Rock, Arkansas, Kari Faux has been delivering her profound sound with minimal production to the music airwaves setting the tone to be one of the industry’s most spotlighted artist. Appearing on HBO‘s Insecure‘s official soundtrack gravitated Faux’s visibility to higher heights, gaining a even newer fanbase. Recently, Gabriel Williams of Stuff Fly People Like sat with the budding star as she talked about her new music, influences, style, being Lost In Los Angeles and more.

Check out the full interview below.


Tell me a little about yourself?

I don’t know, that’s such a broad question. I mean I’m from Little Rock, Arkansas. I moved to L.A. a year ago [and] started making the music that is the album. [That’s what brought on the title of the album right?] Yes, Lost In Los Angeles and I feel like it’s more [of an] honest version of myself. I don’t know if you’ve heard Laugh Now Die Later which was the first mixtape. [It] was more fun but I feel like this one is a little bit more honest.

So being from Arkansas which for some of us is like unheard of. We maybe come across 1 out of like 15 people from Arkansas in a place like New York City, so I’ve always been fascinated to know what goes on over there. What do you guys listen to and what was your upbringing like?

As far as how things are over there I mean it’s southern, very southern. [We] listen to [artists like] Bossie and Webbie. That’s what you hear when you go to the club. We’re two hours away from Memphis, and then we’re like 8 hours away from Atlanta, we’re close to New Orleans, we’re close to like all of Texas; [all these areas are} a big influence so it’s just a really country, southern place.

Wow, I’ve never been so what’s why I don’t know anything about it. That’s crazy, I didn’t realize it’s so close to everything, that’s pretty cool.

I mean it’s basically like Nashville without the music scene, without the poppin’ music scene. There’s no music scene, but I mean if we had like more artists coming out; which [now] there are a lot of artists working and utilizing the Internet. We can easily become a Nashville or a Austin because we’re in the center of like everything.


So your style of music what influenced that? I kind of hear a little bit of the regular more clean rap. You can understand what you’re saying and you understand every lyric, which kind of takes me back to artists like MC Lyte you know to the days of Queen Latifah.

I like, which everybody feels is elementary but I like the early hip hop stuff where you know what they’re saying and like the rhyme scheme is very easy.

And they’re telling you a story.

Yes, like that kind of stuff. I don’t know, it was just easy for me to get into.

So what brought that on, how did you pick that up?

I honestly don’t know. I mean I listen to… I don’t know like who does that? Who even does that style of rap? I was saying earlier [how] Lady Mecca from Digable Planets, I like how easy her flow was and how smooth her voice was just over tracks. Even JJ Fad with Supersonic that shit is fire, like it’s easy, not too complex you just go with the beat.


With your style which is different and I like it by the way; I think it’s going to go far, what are you looking to add to music? Are you looking to have others follow you into that era when hip hop was simple?

Not necessarily I just want to do what I want to do and if people like it and want to do the same thing then cool, but I don’t understand why people don’t like that style of rap. I mean like going super hard and being super lyrical that’s tight, it’s cool, and you have to have like some real fucking talent to do that; but also I’m just like that’s where rap music started.

So have you been getting a lot of backlash from it, is that what it is?

Not a lot but I mean people do be like “Ah this is elementary” and I’m like so.

Don’t worry about them. There’s always going to be naysayers saying whatever they want to say. It’s different and people can catch on to it and you stand out which is what’s important.

Thank you.

So the L.A. life what did you experience there? Tell us about the good and the bad of being there compared to Arkansas? What did that bring about on your album?

The good is [that] I feel completely free when I’m in L.A. I feel like I can be whatever I want to be compared to [being in] Little Rock like you kind of have to be hard and you have to be tough for people to really truly support you and fuck with you. I mean they fuck with me because they’re like “oh okay she’s from the hometown,” but in L.A. I don’t feel like I have to restrain myself. I can just be free musically and as a person. Then also in L.A. I feel so out of place when I’m there sometimes. I just feel super…

Even up until now?

Well now I appreciate it a lot more, but when I first got there I felt really out of place.

Because it was a complete change.

Yes, and I had never been to L.A. before I moved there so it was like [a] culture shock.

So you just went straight there?


Oh, wow!

I was culture shocked like crazy.

So you went there knowing that you wanted to pursue music, that’s what made you make the move?

I was already making music.

Yes, you were making music of course, but you went to L.A. for better opportunities?


So what can we expect from the project?

A lot of honesty, vulnerability. It’s a lot of different like there’s no one genre. There [are] jazz influences, funk influences, disco influences, and west coast influences. I think it’s a really fun album. Even the saddest song on there is like “Oh yea this shit rides.”

What’s the meaning of the title of Lost in Los Angeles?

So basically Lost in Los Angeles is trying to find yourself in a new place. When you’re in your hometown you know who you are, everybody knows who you are. You worked to establish yourself, [you’re committed] to being this person. Once you’re taken out of your element where you’re most comfortable and you’re put somewhere else you kind of have to figure out who you are again. You have different elements coming into play and you’re like wait and you ask yourself “Is this who I am?” or  “Is this what I stand for?” or “Do I like myself?” You know all these different things so that’s just kind of where I was, just questioning myself and I got an album out of it.

As far as your next project is there anyone you want to collaborate with? Are there any artist out right now that you think would be dope to work with?

I really want to work with Michael Christmas. I don’t know if you’ve ever heard of Michael Christmas, he’s a dude from Boston and there’s this other dude from Boston named Cousin Stizz who’s really dope. But I haven’t really thought about it. I do want to do more features [on] my next project.

What about producers?

I don’t know. I’m very like me and him have good chemistry, we have a good thing. I do want to work with other producers but I’m not like…

You won’t get mad if she works with other producers, right?

Naw, he actually encourages me to work with other people,but I’m just so…

You’re used to a certain sound, correct?

Yes, exactly.

I get it, I totally get it. So explain your style. I see you change up your hair every now and then.

I change up my hair like every week.

I saw pictures of you with braids in the short bob, and then I see your hair now, and I think I saw another picture of you with your hair out.

I’ve been wearing my hair like this. I’m trying to keep my hair like this for a while because I’m actually trying to grow a afro a big afro. My hair is natural under this so, but I have commitment issues when it comes to styles, cities, people. That’s just how it is sometimes.

So how is your style would you describe it as retro?

It’s whatever I’m feeling that day or that week or that month it just switches up, it changes [but] I’m trying to be better about having a consistent style.

So as far as what you’re doing now with the music and everything that’s going on, are you in a good place right now where you think you can kind of soar musically, and get to where you need to be?

Since the album came out I’m just like I just want to rap and I’ve been just been writing little raps or whatever. I had like a session with a producer the other day and walked out of there with like two amazing beats so I’m excited about the future. I’m very excited. I think it’s going to be really, really cool.

How did the album come into being?

Most of the songs were ideas [I had] or he would make something and I would go “Oh I know exactly what this could be and I would write something, [Sometimes] I would already have something written and then I would bring it to him and he would just make something. Then I would make my words fit to the beat basically. I started to learn to write without the music, which I feel is better for me because [at times] writing to the music I feel like I was being bound by the music. Kind of like “Oh no this has to go right here.”  I just [decided to] start just writing stuff and then just making it fit just later on.

So you’re from Arkansas as well?


So you guys pretty much moved to L.A. together?


So how long have you guys been working together?

Since 2011, so five years.


I heard “This Right Here.” How did that song come about?

His Dad’s from L.A. so his family came out for Christmas the year before last. So he made this beat and his brother came in there and was like, “Hold my fucking phone this right here my song” and we all just started saying it together and I was like “I’m gonna make a song out of that.” He was like “Alright, bet.” He got like a writers credit on my album and everything. It’s pretty cool.

Explain the video is that your normal day to day or kind of like cookout party situation because I saw kids on one side playing in the living room?

No, that’s not a very normal situation. Well the thing is when I’m in LA my manager takes me to these parties with his friends so yea I guess it is kind of when I’m in LA and I’m with his friends and stuff they have like kids and they be cooking it be cool, it be fun.


Photo Credit: Bernard “Beanz” Smalls 

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